Showing posts with label introduction. Show all posts
Showing posts with label introduction. Show all posts

Thursday, September 11, 2008

How to Read a Floor Plan - the drawing sheet

maria mortati, gyroscope inc, museums This is the first part in a series about understanding design and construction drawings. It's fairly common to work on a museum project and have folks at the table who aren't familiar with architectural drawings. Most of us are in that boat who haven't studied architecture (I know I was). Yet these same people are put in the position to make key decisions based on these plans, so it's important for them to be able to decode what they are seeing. Floor plans can be used at various stages in the museum planning process- from schematic all the way to final design. For the moment, we'll focus on scaled architectural plans. Let's start with the basics [click here to see the notes]: The Title Block: shown above is a blank drawing sheet with a title block and drawing label. The title block gives you the big picture information on the drawing. Such as: who the drawing is for, who made it, what project it is about, what phase of the project, and what the overall sheet is describing (a floor plan, an exhibit, or a component). The Drawing Label indicates what that particular item is, what type of view it is (a plan, an elevation), the scale, and the number. This number is important because often on a plan you will see a number in a circle pointing to something. On a plan, that directs you to the sheet and drawing on that sheet where you can find the details for that component. FYI, there can be several drawing labels on a sheet, but on a floor plan, there is usually only the plan. Next up on this topic: we'll delve into the sheet to sheet references mentioned above.

Tuesday, September 9, 2008

Welcome to Museums Now

By Maria Mortati

This blog will be a place to examine issues for museum-related institutions, as well as a place to explore provocative ideas about the museum world. As institutions reach out to their audiences in a landscape rich with options, the pressure is on to stay relevant or better put-- connected.

Why Museums... Now? 

I work at Gyroscope Exhibits in Oakland, California as an Exhibit Developer. I've also worked in-house at the Exploratorium. The interesting thing about working "on the outside" is that we get to see inside a diverse set of institutions, and cultures. We learn a tremendous amount with each project, and we are constantly writing and sharing with our clients. This is an ideal vehicle for us to share what learn with you. From time to time other "Gyroscopians" will guest blog, as we have diverse backgrounds in our office- from science center administration to architecture, early childhood education, and interaction design.

This week I'm going to delve into the topic of institutional identity, and explore some ways to think about it in our highly editable world.